Bernstein argues that our experience of art today is conditioned by the loss of the truth-function of art: with the growth of modern science and technological reason, art is relegated to a separate and autonomous domain of the aesthetic. This condition of 'aesthetic alienation' - the raging discord between art and truth - is one of the most perspicuous signs of the fragmentation of modernity.
Aesthetic alienation is challenged in differing ways by modern Continental philosophers like Heidegger, Derrida and Adorno. Bernstein shows how each of these philosophers uses the experience of art and the discourse of aesthetics to criticize the fragmentation of modernity. He examines in detail their responses to aesthetic alienation and raises a range of fundamental questions concerning the relations between art, philosophy and politics in modern societies.
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1. Memorial Aesthetics: Kant's Critique of Judgement.
2. The Genius of Being: Heidegger's The Origin of the Work of Art.
3. The Deconstructive Sublime: Derrida's The Truth in Painting.
4. Constellations of Concept and Intuition: Adorno's Aesthetic Theory.
5. Old Gods Ascending: Disintegration and Speculation in Aesthetic Theory.